1
00:00:00,768 --> 00:00:03,769
CAPTIONING MADE
POSSIBLE BY WARNER BROS.

2
00:01:14,875 --> 00:01:17,709
AH HA HA HA HA!

3
00:01:27,655 --> 00:01:30,267
GREETINGS, ART LOVERS.

4
00:01:30,291 --> 00:01:32,235
VINCENT VAN GHOUL HERE

5
00:01:32,259 --> 00:01:34,304
WITH ANOTHER MORBID MASTERPIECE

6
00:01:34,328 --> 00:01:37,540
SURE TO PAINT YOU
INTO A "CORONER."

7
00:01:37,564 --> 00:01:40,209
HA HA HA HA HA!

8
00:01:40,233 --> 00:01:41,411
HMM...

9
00:01:41,435 --> 00:01:43,813
SOMETHING'S NOT QUITE RIGHT.

10
00:01:43,837 --> 00:01:46,516
AH, YES.

11
00:01:46,540 --> 00:01:50,420
YECH! NOW, THAT'S A STILL LIFE.

12
00:01:50,444 --> 00:01:54,257
HA HA HA HA HA HA!

13
00:01:54,281 --> 00:01:56,760
TONIGHT'S TALE
CONCERNS A PAINTER

14
00:01:56,784 --> 00:02:00,764
WHO'S TIRED OF PEOPLE
GIVING HIS WORK THE BRUSH.

15
00:02:00,788 --> 00:02:03,366
I CALL THIS PESTILENT
PORTRAIT OF THE ARTIST

16
00:02:03,390 --> 00:02:05,769
AS A YOUNG MANGLER

17
00:02:05,793 --> 00:02:08,126
<i>EASEL KILL YA.</i>

18
00:02:12,299 --> 00:02:15,045
WELL, THEY'RE VERY...

19
00:02:15,069 --> 00:02:17,035
NICE.

20
00:02:18,539 --> 00:02:20,779
THEY'RE SUPPOSED TO BE...

21
00:02:22,142 --> 00:02:23,708
IRONIC.

22
00:02:24,978 --> 00:02:26,623
HA HA HA!

23
00:02:26,647 --> 00:02:29,626
YES, OF COURSE THEY ARE, DEAR.

24
00:02:29,650 --> 00:02:31,127
YOU KNOW, JACK,

25
00:02:31,151 --> 00:02:34,130
MAYBE YOU SHOULD
GO BACK TO DRINKING.

26
00:02:34,154 --> 00:02:36,388
YOUR WORK HAD MORE PASSION.

27
00:02:42,496 --> 00:02:44,974
YOU PROMISED ME A SHOW, ELLA.

28
00:02:44,998 --> 00:02:46,409
YOU KNOW...

29
00:02:46,433 --> 00:02:50,146
THIS SPACE COULD
BE QUITE COMPELLING

30
00:02:50,170 --> 00:02:52,648
IF YOU PUT A LITTLE EFFORT

31
00:02:52,672 --> 00:02:55,340
INTO FIXING IT UP.

32
00:02:58,178 --> 00:03:02,158
I'VE BEEN WORKING DAY AND NIGHT

33
00:03:02,182 --> 00:03:04,393
FOR SIX MONTHS,

34
00:03:04,417 --> 00:03:07,396
AND ALL BECAUSE YOU
PROMISED ME A SHOW

35
00:03:07,420 --> 00:03:11,734
IF I CAME UP WITH
SOMETHING... NEW.

36
00:03:11,758 --> 00:03:14,171
NOT JUST NEW, DARLING.

37
00:03:14,195 --> 00:03:16,862
NEW AND GOOD.

38
00:03:18,431 --> 00:03:19,675
HONEY...

39
00:03:19,699 --> 00:03:22,678
IF IT'S MONEY YOU'RE
WORRIED ABOUT,

40
00:03:22,702 --> 00:03:26,182
I COULD GIVE YOU A JOB
AROUND THE GALLERY.

41
00:03:26,206 --> 00:03:28,151
I HAVE A NEW SOUTHERN
PRIMITIVE SHOW

42
00:03:28,175 --> 00:03:29,953
TO HANG NEXT WEEK.

43
00:03:29,977 --> 00:03:32,077
COULD USE SOME HELP.

44
00:03:46,393 --> 00:03:49,661
Jack: I SAW HER LIFE SLIP AWAY.

45
00:03:51,699 --> 00:03:55,578
THERE WAS SOMETHING
ALMOST BEAUTIFUL ABOUT IT.

46
00:03:55,602 --> 00:03:57,681
JACK.

47
00:03:57,705 --> 00:03:59,182
JACK!

48
00:03:59,206 --> 00:04:00,717
I CAN'T STAND HERE ALL DAY.

49
00:04:00,741 --> 00:04:03,441
YOU WANT THE JOB OR NOT?

50
00:04:05,678 --> 00:04:08,824
I THINK I WOULD HAVE
ENJOYED KILLING HER.

51
00:04:08,848 --> 00:04:10,326
BUT YOU DIDN'T.

52
00:04:10,350 --> 00:04:12,328
YOU FACED YOUR DEMON.

53
00:04:12,352 --> 00:04:14,330
YOU STARED IT DOWN.

54
00:04:14,354 --> 00:04:16,832
AND YOU SHARED
THAT VICTORY WITH US.

55
00:04:16,856 --> 00:04:19,024
I KNOW WE ALL
APPRECIATE THAT, JACK.

56
00:04:22,195 --> 00:04:25,508
REMEMBER, WE ARE
NOT ALONE. WE ARE...

57
00:04:25,532 --> 00:04:27,110
All: FORGIVEN.

58
00:04:27,134 --> 00:04:28,912
AND THAT ALLOWS US TO...

59
00:04:28,936 --> 00:04:30,480
FACE ANOTHER DAY.

60
00:04:30,504 --> 00:04:32,449
GOOD, PEOPLE.
THAT'S ALL FOR TODAY.

61
00:04:32,473 --> 00:04:34,506
WE'LL SEE YOU NEXT WEEK.

62
00:04:49,155 --> 00:04:52,156
YOU'RE INCREDIBLY HARD
ON YOURSELF, YOU KNOW?

63
00:04:55,161 --> 00:04:57,139
WELL, YOU KNOW...

64
00:04:57,163 --> 00:04:59,643
NO SUFFERING, NO ART, RIGHT?

65
00:04:59,667 --> 00:05:02,600
YOU DON'T REALLY
BELIEVE THAT, DO YOU?

66
00:05:03,871 --> 00:05:07,017
I'VE BEEN COMPLETELY
BROKE FOR A YEAR.

67
00:05:07,041 --> 00:05:09,586
HAVEN'T SOLD A SINGLE PAINTING.

68
00:05:09,610 --> 00:05:13,290
WELL, WHAT YOU NEED
IS SOME INSPIRATION.

69
00:05:13,314 --> 00:05:14,791
I THOUGHT YOU
WERE SUPPOSED TO BE

70
00:05:14,815 --> 00:05:16,593
STAYING AWAY FROM
OBSESSIVE RELATIONSHIPS.

71
00:05:16,617 --> 00:05:19,562
WHO SAID ANYTHING
ABOUT GETTING OBSESSED?

72
00:05:19,586 --> 00:05:21,564
I'M JUST TRYING TO GET

73
00:05:21,588 --> 00:05:24,801
THIS REALLY NICE GUY NAMED
JACK TO LOOSEN UP A LITTLE BIT,

74
00:05:24,825 --> 00:05:27,892
TAKE SOME TIME TO NOTICE
ALL THE BEAUTY AROUND HIM.

75
00:05:31,699 --> 00:05:34,900
Jack: TRY TURNING TO
THE WINDOW A LITTLE.

76
00:05:42,643 --> 00:05:44,142
HOW ABOUT THIS?

77
00:05:52,653 --> 00:05:55,654
I WANT A DRINK. DO YOU WANT ONE?

78
00:05:59,460 --> 00:06:01,171
TAP WATER.

79
00:06:01,195 --> 00:06:05,163
YEAH, YEAH. THAT WOULD BE GREAT.

80
00:06:24,484 --> 00:06:26,262
I HATE THIS PLACE.

81
00:06:26,286 --> 00:06:28,246
THEN WHY DO YOU LIVE HERE?

82
00:06:29,656 --> 00:06:32,089
I DON'T KNOW.

83
00:06:36,062 --> 00:06:37,895
I USED TO THINK IT WAS ROMANTIC.

84
00:06:40,133 --> 00:06:41,311
MAYBE I STILL DO.

85
00:06:41,335 --> 00:06:43,613
DON'T GIVE UP, JACK.

86
00:06:43,637 --> 00:06:45,615
I'VE SEEN YOU STRUGGLE.

87
00:06:45,639 --> 00:06:47,639
WE ALL HAVE.

88
00:06:49,142 --> 00:06:51,321
BUT YOU'RE A BRAVE MAN

89
00:06:51,345 --> 00:06:53,645
AND AN HONEST MAN.

90
00:06:56,482 --> 00:06:58,649
I SHOULD GO.

91
00:07:03,657 --> 00:07:05,602
YOU'RE WINNING, JACK.

92
00:07:05,626 --> 00:07:07,637
THE OTHER SIDE OF YOU

93
00:07:07,661 --> 00:07:10,807
IS ONLY AS STRONG
AS YOU ALLOW IT TO BE.

94
00:07:10,831 --> 00:07:12,208
SEE YOU TOMORROW.

95
00:07:12,232 --> 00:07:14,110
WHAT HAPPENS TOMORROW?

96
00:07:14,134 --> 00:07:17,468
I'LL BE OVER FOR
MY NEXT SITTING.

97
00:07:23,510 --> 00:07:25,621
♪ BANG YOUR HEAD
UNTIL YOU'RE DEAD ♪

98
00:07:25,645 --> 00:07:26,689
♪ BANG YOUR HEAD ♪

99
00:07:26,713 --> 00:07:28,123
♪ YOUR HEAD ♪

100
00:07:28,147 --> 00:07:30,526
♪ BANG YOUR HEAD
UNTIL YOU'RE DEAD ♪

101
00:07:30,550 --> 00:07:31,761
♪ BANG YOUR HEAD ♪

102
00:07:31,785 --> 00:07:34,063
♪ YOUR HEAD ♪

103
00:07:52,072 --> 00:07:54,250
♪ MONSTER METAL... ♪

104
00:07:54,274 --> 00:07:55,318
HEY!

105
00:07:55,342 --> 00:07:56,440
HEY!

106
00:07:58,812 --> 00:08:01,012
TURN THE FUCKING MUSIC DOWN.

107
00:08:03,784 --> 00:08:07,263
TURN THE FUCKING MUSIC DOWN!

108
00:08:07,287 --> 00:08:09,431
♪ ...BECOME A
STUPID METAL HEAD ♪

109
00:08:09,455 --> 00:08:11,968
♪ BANG YOUR HEAD
UNTIL YOU'RE DEAD ♪

110
00:08:11,992 --> 00:08:14,170
♪ BANG YOUR HEAD,
BANG YOUR HEAD ♪

111
00:08:14,194 --> 00:08:16,939
♪ BANG YOUR HEAD, YOUR HEAD ♪

112
00:08:16,963 --> 00:08:18,741
♪ BANG YOUR HEAD
UNTIL YOU'RE... ♪

113
00:08:22,936 --> 00:08:25,381
♪ BANG YOUR HEAD
UNTIL YOU'RE DEAD ♪

114
00:08:25,405 --> 00:08:27,783
HEY! TURN THE FUCKING MUSIC
DOWN, YOU SON OF A BITCH!

115
00:08:29,243 --> 00:08:31,387
TURN THE...

116
00:08:31,411 --> 00:08:33,545
TURN THE FUCKING...

117
00:08:34,548 --> 00:08:35,525
WHOA!

118
00:08:35,549 --> 00:08:37,515
AAH!

119
00:09:08,948 --> 00:09:10,159
THAT'S REALLY GOOD.

120
00:09:10,183 --> 00:09:12,817
BUT WHO THE HELL WOULD BUY IT?

121
00:10:12,812 --> 00:10:15,012
REMARKABLE, AREN'T THEY?

122
00:10:18,317 --> 00:10:20,295
FINEST COLLECTION OF MORBID ART

123
00:10:20,319 --> 00:10:23,320
IN PRIVATE HANDS
ANYWHERE IN THE WORLD.

124
00:10:24,824 --> 00:10:28,804
YOU MUST HAVE GONE TO A LOT
OF TROUBLE TO COLLECT THESE.

125
00:10:28,828 --> 00:10:30,327
YOU HAVE NO IDEA.

126
00:10:32,331 --> 00:10:33,809
SO...

127
00:10:33,833 --> 00:10:37,668
YOU INSIST YOU HAVE A
POSSIBLE ADDITION TO THIS?

128
00:10:40,173 --> 00:10:42,218
I DON'T KNOW.

129
00:10:42,242 --> 00:10:44,487
I THINK SO.

130
00:10:44,511 --> 00:10:46,289
DON'T BE COY, JACK.

131
00:10:46,313 --> 00:10:48,594
LET'S SEE WHAT YOU'VE GOT.

132
00:11:03,930 --> 00:11:05,563
WHOA HO!

133
00:11:07,500 --> 00:11:09,712
YOU LIKE THIS?

134
00:11:09,736 --> 00:11:11,135
NO.

135
00:11:12,472 --> 00:11:14,350
I COVET IT.

136
00:11:14,374 --> 00:11:16,919
LOOK CAREFULLY AROUND YOU, JACK.

137
00:11:16,943 --> 00:11:18,587
THESE ARE SOME OF THE
MOST AWFUL MOMENTS

138
00:11:18,611 --> 00:11:21,089
IN THE 20th CENTURY.

139
00:11:21,113 --> 00:11:24,293
DOWNSTAIRS, I HAVE
THOUSANDS MORE IN A VAULT.

140
00:11:24,317 --> 00:11:25,861
THEY'RE GRAPHIC, THEY'RE REAL,

141
00:11:25,885 --> 00:11:28,397
BUT THEY LACK ONE THING,

142
00:11:28,421 --> 00:11:30,399
ONE SUPREMELY IMPORTANT THING...

143
00:11:30,423 --> 00:11:33,136
THE ARTIST'S TOUCH,

144
00:11:33,160 --> 00:11:36,038
HIS ABILITY TO INTERPRET
THE HORROR OF THE WORLD

145
00:11:36,062 --> 00:11:39,041
THROUGH THE DARKNESS
OF HIS OWN SOUL.

146
00:11:39,065 --> 00:11:42,412
YOU HAVE SOME OF THAT
DARKNESS, DON'T YOU, JACK?

147
00:11:42,436 --> 00:11:44,769
YOU HEAR THE SHADOW'S
VOICE, DON'T YOU?

148
00:11:48,241 --> 00:11:49,652
YOU WANT TO BUY THIS?

149
00:11:49,676 --> 00:11:52,355
HOW MUCH?

150
00:11:52,379 --> 00:11:54,812
I DON'T KNOW.

151
00:11:58,885 --> 00:12:02,632
I WAS THINKING... TWO.

152
00:12:02,656 --> 00:12:06,958
THAT'S AN INSULT TO YOUR TALENT.

153
00:12:07,961 --> 00:12:09,794
SO BE IT.

154
00:12:13,800 --> 00:12:15,545
NO. 200.

155
00:12:15,569 --> 00:12:19,048
CONSIDER IT A DOWN
PAYMENT ON YOUR NEXT ONE.

156
00:12:19,072 --> 00:12:20,750
I'M GONNA GIVE
YOU $20,000 FOR IT.

157
00:12:20,774 --> 00:12:22,084
YOU SERIOUS?

158
00:12:22,108 --> 00:12:25,121
I HAVE GREAT EXPECTATIONS, JACK.

159
00:12:25,145 --> 00:12:27,256
I'M DON'T THINK I'M READY

160
00:12:27,280 --> 00:12:28,591
TO PAINT ANOTHER ONE OF THESE.

161
00:12:28,615 --> 00:12:30,626
OH, YOU'RE READY, JACK.

162
00:12:30,650 --> 00:12:32,550
YOU'RE ON THE BRINK.

163
00:12:35,489 --> 00:12:38,134
DON'T TURN BACK NOW.

164
00:12:38,158 --> 00:12:39,790
DON'T BE AFRAID.

165
00:13:24,838 --> 00:13:26,337
Sharon's voice: HOW
ABOUT THIS, JACK?

166
00:13:27,840 --> 00:13:30,141
HOW ABOUT THIS, JACK?

167
00:13:34,480 --> 00:13:36,014
HOW ABOUT THIS, JACK?

168
00:13:37,918 --> 00:13:39,996
HOW ABOUT THIS, JACK?

169
00:13:40,020 --> 00:13:41,653
THIS, JACK?

170
00:14:09,549 --> 00:14:11,527
HEY, ARTIST!

171
00:14:11,551 --> 00:14:14,029
HEY, HEY, HEY.

172
00:14:14,053 --> 00:14:16,532
WHY DON'T YOU PICK US UP

173
00:14:16,556 --> 00:14:20,536
A NICE BOTTLE OF ENTERTAINMENT
WHILE YOU'RE OUT, HUH?

174
00:14:20,560 --> 00:14:22,871
OH, UNLESS, OF COURSE,

175
00:14:22,895 --> 00:14:25,508
YOU'RE STILL
PRETENDING TO BE SOBER.

176
00:14:25,532 --> 00:14:27,275
IT'S ON ME THIS TIME.

177
00:14:27,299 --> 00:14:28,578
OH, YEAH?

178
00:14:28,602 --> 00:14:31,414
WHO'D YOU KILL?

179
00:14:31,438 --> 00:14:33,115
I SOLD A PAINTING.

180
00:14:33,139 --> 00:14:36,051
WELL, THERE'S A SUCKER
BORN EVERY MINUTE.

181
00:14:37,544 --> 00:14:40,122
THIS THE KID'S STUFF?

182
00:14:40,146 --> 00:14:42,892
YEAH. I'M GONNA LOCK
IT UP IN THE BASEMENT.

183
00:14:42,916 --> 00:14:46,095
I'M GONNA SELL IT FOR THAT
DEAD CREEP'S BACK RENT.

184
00:14:46,119 --> 00:14:48,063
I MEAN, YOU CAN IMAGINE, HUH?

185
00:14:48,087 --> 00:14:49,631
OLD LADY LIKE ME,

186
00:14:49,655 --> 00:14:53,235
I GOT TO LUG THIS CRAP
DOWN THOSE SLIPPERY STAIRS.

187
00:14:53,259 --> 00:14:57,161
I COULD TRIP. I COULD
BREAK MY NECK.

188
00:14:58,765 --> 00:15:01,344
WANT SOME HELP?

189
00:15:01,368 --> 00:15:02,878
AAH!

190
00:15:02,902 --> 00:15:04,068
UHH!

191
00:15:36,736 --> 00:15:37,935
AAH!

192
00:16:24,517 --> 00:16:25,994
YEAH. WHO IS IT?

193
00:16:26,018 --> 00:16:27,697
Sharon: A FORGOTTEN FRIEND.

194
00:16:27,721 --> 00:16:30,822
OH, WAIT A MINUTE.

195
00:16:38,164 --> 00:16:40,164
W-WAIT A MINUTE.

196
00:17:05,058 --> 00:17:07,036
YOU HAVEN'T BEEN TO
GROUP IN A COUPLE OF WEEKS,

197
00:17:07,060 --> 00:17:09,038
AND YOUR PHONE'S OFF THE HOOK.

198
00:17:09,062 --> 00:17:13,042
NO. I'VE BEEN WORKING.

199
00:17:13,066 --> 00:17:15,900
ON MY PORTRAIT, I HOPE.

200
00:17:19,572 --> 00:17:21,550
NO. I'VE GOT A PATRON.

201
00:17:21,574 --> 00:17:23,552
HE'S COMMISSIONED
ME TO DO A PIECE.

202
00:17:23,576 --> 00:17:25,554
JACK, THAT'S WONDERFUL!

203
00:17:25,578 --> 00:17:27,556
WHAT KIND OF PIECE?

204
00:17:27,580 --> 00:17:30,192
WELL, IT'S...

205
00:17:30,216 --> 00:17:32,176
SOMETHING TO
COMPLEMENT HIS DECOR.

206
00:17:32,852 --> 00:17:34,730
GREAT.

207
00:17:34,754 --> 00:17:37,132
I JUST HOPE YOUR NEW PATRON

208
00:17:37,156 --> 00:17:39,834
LETS YOU FINISH <i>MY</i> PICTURE.

209
00:17:39,858 --> 00:17:41,637
DON'T TOUCH THAT.

210
00:17:41,661 --> 00:17:43,639
SHARON, I DON'T THINK

211
00:17:43,663 --> 00:17:46,642
I'LL BE ABLE TO
FINISH YOUR PORTRAIT.

212
00:17:46,666 --> 00:17:47,909
I DON'T THINK I HAVE IT IN ME.

213
00:17:47,933 --> 00:17:49,912
DON'T SAY THAT.

214
00:17:49,936 --> 00:17:50,913
YOU HAVE TO BELIEVE IN YOURSELF.

215
00:17:50,937 --> 00:17:52,415
THAT'S ALL IT TAKES.

216
00:17:52,439 --> 00:17:56,340
WILL YOU CUT IT OUT WITH THIS
SWEETNESS AND LIGHT BULLSHIT?

217
00:17:58,311 --> 00:18:00,022
LITTLE BIT OF GOODNESS,
LITTLE BIT OF CHARITY'S

218
00:18:00,046 --> 00:18:02,479
GONNA DRIVE THE BAD
BOY OUT OF JACK, RIGHT?

219
00:18:09,689 --> 00:18:12,356
YOU DON'T REALLY KNOW ME.

220
00:18:14,093 --> 00:18:15,592
YES, I DO.

221
00:18:53,666 --> 00:18:54,676
OH, JACK.

222
00:18:54,700 --> 00:18:57,512
OH, JACK.

223
00:18:57,536 --> 00:18:59,103
I LOVE YOU.

224
00:19:01,074 --> 00:19:02,818
GIVE IN, JACK.

225
00:19:02,842 --> 00:19:04,808
GIVE IN TO ME.

226
00:19:06,479 --> 00:19:07,811
GIVE IN, JACK.

227
00:19:09,182 --> 00:19:11,226
DON'T HOLD BACK.

228
00:19:11,250 --> 00:19:13,650
GIVE IN.

229
00:19:15,221 --> 00:19:18,467
GIVE IN TO IT, JACK.

230
00:19:18,491 --> 00:19:21,325
GIVE IN TO YOUR OTHER SIDE.

231
00:19:24,363 --> 00:19:25,541
LET 'EM WIN, JACK.

232
00:19:25,565 --> 00:19:26,608
IT'S WHAT YOU WANT.

233
00:19:26,632 --> 00:19:28,644
HA HA HA HA HA!

234
00:19:28,668 --> 00:19:30,000
JACK, NO!

235
00:19:51,090 --> 00:19:53,302
WHERE ARE YOU GOING?

236
00:19:53,326 --> 00:19:55,846
PLEASE WAIT FOR ME HERE.

237
00:19:59,031 --> 00:20:02,533
I NEED YOU TO BE
HERE WHEN I GET BACK.

238
00:20:09,309 --> 00:20:10,619
Malcolm: THIS IS MAGNIFICENT.

239
00:20:10,643 --> 00:20:13,255
THIS IS MORE THAN
I EVER HOPED FOR.

240
00:20:13,279 --> 00:20:15,591
THE BEGINNINGS OF
A BRILLIANT CAREER.

241
00:20:15,615 --> 00:20:18,427
NO, NO, MAYFLOWER, THE END.

242
00:20:18,451 --> 00:20:19,894
THE END OF A CAREER.

243
00:20:19,918 --> 00:20:21,530
THIS IS THE LAST PAINTING
I'M DOING FOR YOU.

244
00:20:21,554 --> 00:20:23,432
YOU CAN'T BE SERIOUS.

245
00:20:23,456 --> 00:20:24,499
I'M SERIOUS.

246
00:20:24,523 --> 00:20:25,567
YOU JUST GIVE ME MY MONEY.

247
00:20:25,591 --> 00:20:26,768
WE'LL BOTH HAVE WHAT WE WANT.

248
00:20:26,792 --> 00:20:29,738
JACK, YOU ARE ON THE
VERGE OF GREATNESS.

249
00:20:29,762 --> 00:20:30,905
YOU ARE A UNIQUE TALENT.

250
00:20:30,929 --> 00:20:32,274
THE WORLD WILL NOT BE DEPRIVED.

251
00:20:32,298 --> 00:20:33,575
YOU CAN'T JUST STOP.

252
00:20:33,599 --> 00:20:35,577
I'VE STOPPED. I'VE STOPPED.

253
00:20:35,601 --> 00:20:36,978
I STOPPED WHEN I
FINISHED THIS PAINTING.

254
00:20:37,002 --> 00:20:41,238
I'M GONNA GIVE YOU $100,000
FOR YOUR NEXT PAINTING.

255
00:20:44,777 --> 00:20:47,756
I SEE YOU HAVEN'T TOTALLY
EXORCISED YOUR BETTER HALF.

256
00:20:47,780 --> 00:20:48,757
NO.

257
00:20:48,781 --> 00:20:51,260
THIS IS NOT GOING
TO WORK, MAYFLOWER.

258
00:20:51,284 --> 00:20:54,263
LISTEN HARD, JACK.

259
00:20:54,287 --> 00:20:58,267
YOU'RE NOT A MAN EASILY
SATISFIED BY THE ORDINARY.

260
00:20:58,291 --> 00:20:59,768
YOU'RE NEVER
GOING TO BE INSPIRED

261
00:20:59,792 --> 00:21:05,274
BY THE SIMPLE PLEASURES,
LIKE LOVE, HAPPINESS.

262
00:21:05,298 --> 00:21:06,797
YOU NEED MORE.

263
00:21:08,301 --> 00:21:10,279
HMM?

264
00:21:10,303 --> 00:21:12,803
YOU JUST GIVE ME MY MONEY NOW.

265
00:21:20,813 --> 00:21:23,792
THERE'S SO MUCH MORE
WHERE THIS CAME FROM.

266
00:21:23,816 --> 00:21:26,149
I WON'T BE NEEDING IT.

267
00:21:27,320 --> 00:21:29,820
OH, I THINK YOU WILL, JACK.

268
00:21:31,324 --> 00:21:33,324
I THINK YOU WILL.

269
00:22:14,066 --> 00:22:15,298
SHARON.

270
00:22:17,837 --> 00:22:20,570
LET ME EXPLAIN.

271
00:22:24,777 --> 00:22:25,854
SHARON.

272
00:22:25,878 --> 00:22:28,612
I'M NOT THAT PERSON ANYMORE.

273
00:22:30,149 --> 00:22:32,628
SHARON, I NEED YOU NOW.

274
00:22:32,652 --> 00:22:34,151
SHARON.

275
00:22:36,155 --> 00:22:38,133
SHARON.

276
00:22:38,157 --> 00:22:40,157
SHARON, WAIT!

277
00:22:44,630 --> 00:22:46,030
SHARON!

278
00:23:11,990 --> 00:23:13,669
WELL?

279
00:23:13,693 --> 00:23:16,171
WELL, THE CEREBRAL CORTEX
IS EXTENSIVELY DAMAGED.

280
00:23:16,195 --> 00:23:19,040
I'M NOT SURE SHE'LL
SURVIVE THE NIGHT.

281
00:23:19,064 --> 00:23:21,843
WELL, DO SOMETHING!

282
00:23:21,867 --> 00:23:24,178
LOOK, WE'VE GOT THE BEST
NEUROSURGEON IN THE CITY

283
00:23:24,202 --> 00:23:26,615
ON HIS WAY RIGHT HERE
TO EVALUATE THE SITUATION.

284
00:23:26,639 --> 00:23:30,252
NOW, IF ANYONE CAN
SAVE HER, HE CAN.

285
00:23:30,276 --> 00:23:32,554
HOWEVER...

286
00:23:32,578 --> 00:23:34,489
THE GIRL HAS NO INSURANCE.

287
00:23:34,513 --> 00:23:36,458
HER FAMILY HAS NO MONEY.

288
00:23:36,482 --> 00:23:38,460
AN OPERATION IS VERY DIFFICULT

289
00:23:38,484 --> 00:23:41,752
AND VERY EXPENSIVE.

290
00:23:44,156 --> 00:23:47,135
LOOK, YOU GET THE DOCTOR.
YOU DO THE OPERATION.

291
00:23:47,159 --> 00:23:49,159
I'LL GET YOU THE MONEY.

292
00:24:16,955 --> 00:24:19,389
AAH! AAH!

293
00:25:00,700 --> 00:25:03,200
YOU'VE MADE ME VERY HAPPY.

294
00:25:04,536 --> 00:25:07,204
$100,000.

295
00:25:19,051 --> 00:25:21,029
I GOT YOUR MONEY. YOU SEE THIS?

296
00:25:21,053 --> 00:25:22,430
BANKS OPEN IN THE MORNING,

297
00:25:22,454 --> 00:25:24,532
YOU'LL GET YOUR FUCKING FEE.

298
00:25:24,556 --> 00:25:26,301
I'M AFRAID THAT WON'T
BE NECESSARY, MR. CRAIG.

299
00:25:26,325 --> 00:25:29,037
THE SURGEON WHO COULD
HAVE SAVED SHARON'S LIFE

300
00:25:29,061 --> 00:25:30,538
WAS MURDERED A FEW HOURS AGO.

301
00:25:30,562 --> 00:25:31,539
WHAT?

302
00:25:31,563 --> 00:25:34,542
SOME MANIAC ATTACKED
HIM ON HIS WAY HERE,

303
00:25:34,566 --> 00:25:36,378
CAVED IN HIS SKULL.

304
00:25:36,402 --> 00:25:38,135
I'M SORRY.

305
00:26:05,464 --> 00:26:06,963
MR. CRAIG?

306
00:26:13,472 --> 00:26:16,473
I UNDERSTAND THAT
YOU'RE AN ARTIST.

307
00:26:35,827 --> 00:26:37,805
WELL, SHARON'S CROAKING

308
00:26:37,829 --> 00:26:40,808
IS SURE TO LEAVE
A VERY BAD TASTE

309
00:26:40,832 --> 00:26:42,310
ON JACK'S PALETTE.

310
00:26:42,334 --> 00:26:46,314
WHAT A SHAME SHE TURNED
INTO SUCH A "MOANA" LISA.

311
00:26:46,338 --> 00:26:48,617
HA HA HA HA HA HA!

312
00:26:48,641 --> 00:26:52,320
YOU KNOW, KIDDIES, SOME
ARTISTS PREFER WATERCOLORS,

313
00:26:52,344 --> 00:26:54,522
OTHERS PREFER OILS,

314
00:26:54,546 --> 00:26:55,690
BUT ME?

315
00:26:55,714 --> 00:26:59,026
I PREFER FINGER PAINTING.

316
00:26:59,050 --> 00:27:01,663
HA HA HA HA HA HA!

317
00:27:01,687 --> 00:27:06,323
AH HA HA HA HA HA!

318
00:27:07,993 --> 00:27:10,994
CAPTIONING MADE
POSSIBLE BY WARNER BROS.

319
00:27:18,003 --> 00:27:21,004
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE... www.ncicap.org...